Karl Jürgensen Mohr
b. 1971 (Canadian)
P.O. Box 97032
Toronto, ON M6R 3B3
Contact: gi [at] multibeat [dot] com
Sound editing work from: 2003 | 2002 | 2001 | 2000 | 1999 | 1998 | 1997 | 1996 | 1995
Sound Designer: Produced Hawksley Workman drum sampling CD.
Sound Editor: Archiving and databasing Hawksley Workman tape masters to digital format.
Sound Editor: Jane Goodall's Wild Chimpanzees IMAX
Sound Editor: Tom Stone CBC television series
Sound Designer: Lutz Austria internet quiz (agency: Worx New Media Life)
Sound Editor: Bears IMAX
Assistant ADR Editor: Ignition TV Series GFT/Redwood/Ignition Films
Sound Editor: Cyberworld IMAX 3D
Sound Editor: Up Up and Away IMAX (Demo)
Sound Editor: Volcanoes IMAX (Demo)
Sound Editor: Galapagos IMAX 3D
Sound Editor: Cyberworld IMAX 3D (Wireframe Films Demo)
Assistant Sound Editor: Gold Fever IMAX
Assistant Sound Editor: Wolves IMAX
Assistant Film Editor: Omnimax Dome IMAX 3D Film Test
Assistant ADR Editor: Nightworld Series (Alliance/Atlantis)
Sound Editor: Wildfire: Feel the Heat IMAX
Assistant Sound Editor: Mark Twain's America IMAX 3D
Sound Effects Editor/Composer: Quaker State TV Ad (Flashcut)
Assistant Sound Editor: Nutcracker IMAX
Assistant Sound Editor: Mark Twain, Wildfire, Rodeo IMAX Demos
Sound Effects Editor/Composer: My Canada (Immersion Studios)
Sound Effects Editor: Matin dans un fôret des pins (Barracuda Films)
Audio Conform: Staged (Nemesis Productions, City-TV, A&E)
Audio Coordinator/Assistant Sound Editor: Mission to Mir IMAX
Assistant Sound Effects Editor: Mark Twain, House Guests IMAX Demos
Studio Engineer: Oz Productions, Toronto
Sound Design: Lighthouse CD-ROM (Face to Face)
Sound Design: MyCity CD-ROM (I Choose Me)
Assistant Sound Effects Editor: Cosmic City IMAX
Assistant to ADR Editor: Kids in the Hall - Brain Candy (Alliance)
Studio Assistant/Project Promoter: Degazio Sound Design, Toronto
Engineer/In-House Composer: Studio Belle Image, Laval, Québec
Digital Audio Editor: Silent Sound Studio, Montréal, Québec
Previous sound editing work | Sections
Film, video, theatre and multimedia
2002 - 1995 | 1994 | 1993 | 1992 | 1991 and earlier
Composed music for A1 Partner Highlight 2002 corporate event video (Wild Thing Productions).
Composed music for A1 Akademie corporate video (Wild Thing Productions).
Composed music for Gulet Travel Austria presentation video featuring Microman from Ö3 radio (Wild Thing Productions).
Composed music for Niederösterreich Preis für Kultur und Wissenschaft presentation video (Wild Thing Productions).
Composed music, sound effects and Flash programming for Caritas Dioezese Linz Waermestube Stadtpiloten website for Caritas Oberoesterreich. (Collaboration with Patricia Futterer.)
Composed music and sound design for Pro-Advertising TaxiLight multimedia video (Wild Thing Productions).
Composed music for Telering Austria promotional banner ad, pitched by Worx New Media Life.
Composed music, sound effects editing for Bene Austria internet game, pitched by Diamond Dogs.
Composed Christmas music for KPNQwest Austria Weihnachtskalender Flash application (follow the Portfolio through to the calendar), sub-contracted by WORX New Media Life.
Composed original soundtrack for Standard Deviation, a feature film by Sam K. Lee.
Composed original soundtrack material for Matin dans un fôret des pins, a two-hour documentary film about Latvian culture by Mara Ravins and Janis Kalejs, featured in international festivals.
Composed main title for The Blue Hermaphrodite, a television series exploring sex, sexuality and gender in pop culture (six thirty-minute episodes).
Composed original music for Mute, an independent feature film by Sam K. Lee.
Composed two 45 second interludes for Longshots, a documentary produced by Maximage and aired on CBC Newsworld.
Composed original music and edited audio for Speaking in Tongues, a play by Mike Thibault presented by La Bouche Theatre Company.
Produced/engineered music for The Onionskin, a dramatic production featured in Direct From Kingston, a festival of independent theatre.
Composed soundtrack for Chasing the Sun, a film charting the success of the Queen's Solar Car 1993 and geared towards the promotion of women in engineering.
Composed soundtrack for Hamlet, a dramatic production presented by Queen's Drama Department.
Sound design for The Crackwalker, a professional dramatic production staged at The Grand Theatre, Kingston.
Composed soundtrack for Writing on the Wall, a student film about graffiti culture.
Musical segments from Foment (see August 1992) featured in Savage/Love a dramatic production written by Joseph Chaikin/Sam Shepard and directed by Kevin Fraser.
Composed soundtrack segment for Purple Jesus, a Queen's University-funded production promoting alcohol awareness among first-year students.
Composed soundtrack for and directed Halloween, a student video co-produced with Tom Costain dealing with campus hedonism.
Composed soundtrack for Foment, the world premier of a play by James Purdy, presented by Threshold theatre at the Baby Grand Theatre, Kingston and at the Annex Theatre, Toronto.
Composed soundtrack for Our Back Yard, a film about Kingston's garbage crisis.
Threshold theatre restaged Beautiful Losers at the Theatre Centre, Toronto (see August 1991) using previous soundtrack.
Composed soundtrack for Dreams and Reminiscence, an experimental video.
Co-filmmaker and soundtrack composer for Which Part Of No Do You Not Understand? a student video addressing the problem of campus date rape.
Composed soundtrack for dramatic production of Leonard Cohen's Beautiful Losers, presented by Threshold theatre, Kingston.
Composed soundtrack for Holding the Pieces, a dramatic production presented by Threshold theatre.
Composed soundtrack for Rites of Passage, a controversial student video examining Queen's University's orientation practices.
Composed soundtrack for Tip of the Iceberg, a student video about family violence.
Music composed for film and theatre | Sections
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